Mongolia -- Day 8 and 9 (Back in the UB)

The day after we got back from our tour, Chanaa escorted me, Fig, and Pasi on the one hour walk to an absolutely giant outdoor marketplace that was literally called "The Black Market." It was divided into vague quadrants, where you could find clothes, or antiques, or furniture, or anything else that occurred to you. There were probably fifty stalls just selling shoes.

We bought various souvenirs, and I managed to get a copy of the epic kayak album by Javhlan that we'd been listening to all week. It is amazing in the absolutely silliest way. Javhlan's sound is difficult to describe, except maybe like weird nomad opera? I saw him filed in a music store under "Country," which kind of made sense thinking about the actual Mongolian countryside -- though it is definitely Mongolian country music, bearing little or no resemblance to the American counterpart.

We grabbed a late lunch at a cafe Chanaa recommended, stopped by Hi-Fi Music for a few more Mongolian CDs (I think Fig had accumulated something like six by this point), and then Fig and I went out for dinner.

The next morning we spent some time watching the music channel with Nasaa (the hostel housekeeper), and then walked to Gandan Khiid. Gandan Khiid is a pretty cool monastery in the north-west corner of Ulaanbaatar. There were a lot of students there for some kind of graduation ceremony or trip, and a huge flock of pigeons trying to terrorize the public. The main building had a giant bronze statue of a standing Buddha, and a ton of smaller Buddha figurines lining the walls top to bottom. There was also a long line of these things that I think are like prayer wheels, stretching all along the inside and spinning constantly as the line of people ran their hands over them.

After lunch we next went to the Fine Art Museum and the attached Red Ger Gallery. Both were quite interesting. The Fine Art Museum had a lot of traditional works, including some intricate and heavy-looking festival masks and an absolutely stunning mandala model. It was about as big as a car, built in the shape of a finely detailed palace with various deities and decorations abounding. The Red Ger Gallery held more modern art, several pieces of which really impressed me. I particularly liked the paintings of one E. Tsolinonbat, but I can't seem to find him (or her) online anywhere for more information. (By the way, Dad, this is where I bought your painting!)

That night, Chanaa had invited Fig and I to dinner at her house. It was our first opportunity to see an urban dwelling. Chanaa lived with her husband and her two or three year old daughter, Anojun, in this tiny one room house tucked into a crowded neighborhood. (What we in America might consider a slum or at least projects, though I think it was fairly standard for UB.) There was no bathroom (or, I think, running water) so there was a tiny outhouse shack in the yard and Chanaa had to fill the teapot from a bucket. But inside the house was clean and decently furnished, and Anojun was an absolute pistol. She and I played a sort of strange game that involved spinning a plastic radish, which for some reason tickled Anojun to no end.

After a while, we were joined by a friend of Chanaa's husband, who was a big merry guy. (He lied to us about being a Mongolian wrestler, and told us that Japanese men must be crazy if we didn't have boyfriends.) Also, a neighborhood boy of perhaps seven came over to play with Anojun. The food was plentiful and great (oh, that I could cook like Chanaa) and we had an all around lovely time.